King of Code, an all-new intriguing and sexy standalone from CD Reiss is available NOW!
King of Code by CD Reiss
Publication Date: September 18th, 2017
Genre: Contemporary Romance
From New York Times Bestselling author, CD Reiss, comes a sexy tale of secrets, intrigue, betrayal, and a love worth crossing a continent for.
Taylor Harden is a man on the edge.
The edge of fame. The edge of untold wealth.
The edge of utter humiliation.
He built an unhackable system, and in front of everyone, it’s hacked.
His reputation goes from king to goat in a split second. Boom. Like that.
Some dude in Barrington, USA (AKA Nowhere) has locked down Taylor’s code, and if he doesn’t get it back, he’s going to be wearing a monkey suit for the rest of his life.
Except, this guy? This hacker from Nowhere? He’s not a guy.
Harper Watson’s all woman. And she has a plan for Taylor, his code, and his body.
Amazon US: http://amzn.to/2xY8G3d
Amazon Print: http://amzn.to/2yjaqQT
Amazon UK: https://goo.gl/idTpfc
Wow! Why are there only 5 stars? C.D. Reiss absolutely blew me away with this story. Deeply intriguing and all consuming, this story had me under its spell from start to finish. A whole lot erotic, a little bit filthy and packing a overwhelming dose of emotion. I can’t even imagine the amount of research that went into incorporating all the technical details about code and hacking, and then tying it in so perfectly with the characters and the plot. To sum it up? This story was BRILLIANT. A definite TOP READ FOR 2017!
The Audiobook was unique and like nothing I’ve ever experienced before. I never miss the opportunity to listen to Christian Fox. Once again, he NAILED the performance. Another reminder why he one of my favorite male narrators. He might even be #1! There were some bold technical choices here for sure, but I loved them all. There some sound effects and some other editing that might have been layering of tracks? I’m not sure what the technical term for it would be, but I found it really added to the intensity of the story. You will also notice that the narrator doesn’t read the chapter headings. It took me a while to figure out what the “sounds” were. They are the chapter headings. Before I knew they were chapter headings, I already instinctively knew they weren’t random. The sound is actually a Cello (I’m so proud of myself for figuring that out) and the notes correspond to roman numerals. I also heard a rumor that Christian Fox plays the Cello. Insert more swoon here. So freaking genius! I’m declaring King Of Code my favorite Audiobook so far this year! I hope to see it get nominated for an Audie.
“About time!” the older lady shouted.
“Is Harper back?” I asked, handing the bags to the blushing redhead.
As if summoned, Harper came through the swinging door, keeping it open so everyone could get past. She looked at me through the screen.
“You coming in?” she asked.
“We need to talk.”
“Did the decryption key work?”
The door slapped closed behind her as she came out, and we were alone. The way the setting sun hit her cheeks made her glow, and the strands of gold hair at the edges looked translucent. She belonged on a postcard.
I kept forgetting she was holding me hostage. I kept forgetting I needed to think strategically. I had more at stake with this girl than I’d ever had with another.
“Did you doubt it would work?”
“Not really. I’m just making conversation.”
“What are the thorns about?” I pointed at the thorn bed that had eaten my phone and went down the stairs to the yard.
She came after me. “Don’t you have these where you’re from?” She snapped a dry twig off the end.
“Roses? Yes. Impenetrable, groomed thorn bushes in our yards? No.”
“It’s not normal to give the gardeners in town something to do?” We walked around the perimeter.
“You are not normal.”
“It still blooms in spring. It’s really nice. You should see it.”
We were at the back end of the yard, where the very top of the factory’s roof cut the horizon.
I took her hand, pulling her to a stop. “Harper.”
“Taylor?” Her hair flew in her mouth when she turned, and she drew her finger across her cheek to get it out.
What was I supposed to tell her again? That I knew we’d interviewed her. That I didn’t give her the job despite her having a leg up on everyone else we saw.
But was I contrite? Accusatory? Was I just going to relay information? What did I want out of her after I told her I knew?
“Thank you for helping today,” she said. “If you’d asked me when we met, ‘Would Taylor Harden help clean the factory?’ I would have said, ‘No, not for any reason.’ But there you were. Pushing a broom. Scooping up shit. Not being an asshole.”
“My watch was at stake.”
“Yeah. Whatever. You can say what you want to keep your reputation as a shithead intact.”
“I have a reputation as a shithead?”
“You know you do.”
I did know it, and I reveled in it.
She faced me and put her other hand out. I took it, holding both hands between us. I couldn’t help it.
“Well, you guys are such a bunch of sad sacks I had to help. And let me tell you, every guy in Barrington has a little asshole in him. Trust me. I’ve played pool with them.”
“I want to say…” She stopped herself as if she really didn’t want to say. “Let’s get together tonight and get you another decryption code. But… saying this is stupid.” She bit her lip.
“Say it anyway.”
“The sooner you get four codes, the sooner you leave.”
I looked at our hands so I wouldn’t have to look at her.
“I’m not sure if I want that,” she said.
CD Reiss is a New York Times bestseller. She still has to chop wood and carry water, which was buried in the fine print. Her lawyer is working it out with God but in the meantime, if you call and she doesn’t pick up she’s at the well hauling buckets.
Born in New York City, she moved to Hollywood, California to get her master’s degree in screenwriting from USC. In case you want to know, that went nowhere but it did give her a big enough ego to write novels.
She’s frequently referred to as the Shakespeare of Smut which is flattering but hasn’t ever gotten her out of chopping that cord of wood.
If you meet her in person, you should call her Christine.